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Zoe – work in progress
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Digital paintings in progress this summer
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Push the mids
When the light outdoors isn’t that great to pull a work together cohesively I always remember to push my mid hues. I learned this from a past highly regarded artist/teacher. This actually does work if used smartly without over saturating the hues. This is a section of an artwork and you can see the day has little light to work with.
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Just hanging around
www.instagram.com/p/CP98tl7jJ6y/
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Mudbrick in lockdown
A little mudbrick art studio in it’s cosy surround, picturesque windows built from artist travels in French provincial early-mid 1900’s. This is Montsalvat at the gateway to our Yarra Valley. I spent a few years working up on the mezzanine level as an artist and eventually had to capture it on paper in delish soft velvety pastels. The original is large but this is a lovely little print of it. A place to visit when we are next out of this lockdown in Melbourne.
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Blossom lake
www.instagram.com/p/CEn05UzjIJn/
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Early Friday’s sketchbook
https://instagram.com/stories/jul.toffolo/2365291420883626381?utm_source=ig_story_item_share&igshid=e6xwcpu94hel
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Soft play making foggy mountains in Japan
I had a little splurge and got myself a little set of pan pastels in the ‘greyscale’. Playing in these soft pigments that glide on like velvet and feel very painterly was fab. Can’t wait for more playtime. 🙂
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Miniatures
I’m actually enjoying working in a teeny weeny way. It’s very meditative and I recommend it to anyone. Make your own fruit platter and watch things come to life before your eyes.
